WOLFGANG FLAD

Known for sculptures and wall relives rooting from paper pulp, wood, and and natural materials to produce sculptural objects that extend from interiors to monumental exterior bronze and stainless steel sculptures developed through accumulation, carving, and spatial placement. His practice is guided by tactile engagement with form and the transformation of material through repetition and physical layering. Discarded printed matter is reconstituted in the studio to create works that are porous and structurally dynamic.

 

Flad's sculptures are formed over time. They emphasize surface modulation, negative space, and material responsiveness. These qualities allow his work to adapt to a range of architectural conditions, from open volumes to transitional areas. The sculptures occupy space without overtaking it, maintaining a balance between movement and stability.

 

Material sustainability is foundational to Flad's studio process. By working with recycled paper and wood, he redirects material destined for disposal into new sculptural formations. This approach reduces environmental impact while aligning his work with evolving standards of responsible production. His studio maintains a closed-loop approach to resources, where waste is transformed into structure.

​

​His work aligns with an expanded approach to sculpture in contemporary practice, where material history and spatial behavior intersect. In designed environments, his works contribute to spatial rhythm and visual continuity. They support atmospheres of lightness and quiet energy, offering architects and clients a sculptural language that is adaptable and enduring.

​

In Flad’s sculptures, form is caught mid-metamorphosis, suggesting a moment where motion becomes form. Each piece serves as an invitation to engage with the surrounding space, fostering a contemplative dialogue between object, environment, and viewer.