THE PULSE OF ARRIVAL
Galerie Sara Lily Perez is pleased to present The Pulse of Arrival, a group exhibition exploring artistic form emerging from presence, intuition, and embodiment. The featured artists engage in practices that are driven by sensation and experience as it arises in the studio. Immanence, in this context, refers to a generative interior state where thought, feeling, and material are inseparable. It is the still space where form waits to be felt. Kairos is the moment when this form becomes visible, marking this instance of emergence, when the internal meets the surface of the world. The artworks presented in this exhibition are shaped by this moment. Whether through spontaneous gestures in paint, the intuitive molding of clay, or the energetic encounter of materials, each piece reflects a unique arrival. These works carry the imprint of time as it moves through the artist’s body and into form. Participating artists include Jens Joneleit, Heloisa Corrêa, and Conxi Sane. Their practices reflect a shared attentiveness to the act of making as a form of being. Viewers are invited to engage through presence. The Pulse of Arrival offers a vision of artistic creation as fluid, temporal, and deeply connected to the rhythms of sensation, considering authorship as the trace left when the self becomes visible in the moment of making.
FEATURED ARTISTS
Heloisa Corrêa (1961, Brazil)
Corrêa’s practice centers on the tactile and intuitive possibilities of painting and sculpture. Drawing from her
Brazilian heritage and experiences of migration, she explores the interplay between memory, landscape, and
bodily sensation. Her works often emerge from spontaneous gestures, layered pigments, textured surfaces, and
organic forms, evoking the rhythms of nature and the passage of time. Through this embodied approach,
Corrêa invites viewers to encounter her art as a space of presence, where personal history and collective
experience converge in the act of making. Her recent projects investigate the porous boundaries between self
and environment, tracing how identity is shaped by both place and process.
Conxi Sane (1986, Spain)
Sane’s multidisciplinary practice explores the resonance of material and gesture as pathways to presence.
Working across ceramics, drawing, and installation, she embraces intuitive processes, allowing touch, repetition,
and chance to guide the evolution of form. Her works often reference natural cycles and the quiet
transformation of everyday materials, inviting a meditative engagement with time and impermanence. Through
subtle shifts in texture and structure, Sanes creates spaces where the viewer is invited to slow down and attune
to the sensory world. Her recent projects reflect a deep attentiveness to the interplay between body, material,
and environment, foregrounding making as a contemplative act.
Jens Joneleit (1968, Germany)
Joneleit is a multidisciplinary artist whose practice spans painting, music, and film. Educated in both art and
music in the United States, he is recognized internationally for his dynamic visual works and acclaimed
compositions, including operas and orchestral pieces. His paintings are marked by bold textures, metallic
surfaces, and experimental techniques, reflecting his interest in the interplay of material, rhythm, and
improvisation. His process draws from his background as a percussionist and composer, infusing each work
with a sense of movement and immediacy, exploring the boundaries between sound, image, and narrative,
inviting viewers to experience art as a multisensory encounter.